Max Perryment

Max Perryment’s work in theatre includes Dear England at The National Theatre, Jitney for Headlong at the Old Vic; Sunset Shift for PoliNations; Corrina, Corrina for Headlong at Liverpool Everyman; Living Newspaper and Is God Is at the Royal Court; Romeo and Juliet at Shakespeare’s Globe; Miss Julie for Chester Storyhouse & UK tour; Shipwreck at the Almeida; The Convert and In a Word at the Young Vic; The Sweet Science of Bruising (also at Wilton’s Music Hall) and Last of the Boys at Southwark Playhouse; The Rise and Fall of Little Voice at the Park; Utility at the Orange Tree; Twilight Los Angeles 1992 at The Gate; The Tide at the Young Vic; Romeo and Juliet at the Orange Tree; Dear Brutus at Southwark Playhouse; Hair at the Vaults, Hope Mill, Manchester and on UK Tour; Broken Dreams at Kestrel Theatre: HMP Springhill and the Royal Court; Start Swimming at the Young Vic and Summerhall, Edinburgh; Replay (also at 59E59, New York) and Goodbear at Soho Theatre; Landmines at the BRIT School, Ovalhouse and the Otherplace, Brighton; Skin of the Teeth at the Vaults and Ophelia Theatre, New York; Nest at the ArtsDepot, Brighton Fringe and UK Tour; Blood and Water at Kestrel Theatre: HMP Springhall and the Royal Court; Dust at New York Theatre Workshop, Trafalgar Studios and Soho Theatre; and Rasheeda Speaking and A Guide For The Homesick at Trafalgar Studios; and One Woman Show on UK tour and in the West End. TV includes Footsteps of Tagore. Film includes 7 Keys, David vs. Goliath, Buddy Goes to Nollywood and the short films The Everlasting Club, Ma’am and Waiting for Fukushima. Audio includes People Who Knew Me, Skyscraper Lullaby and The Half Life of Joshua Jones.